media – The Oracle https://gunnoracle.com Official Student Newspaper of Henry M. Gunn High School Mon, 22 Apr 2024 16:58:01 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 Boycotts succeed in creating meaningful change https://gunnoracle.com/27090/uncategorized/politics-on-a-global-scale-boycotts-succeed-in-creating-meaningful-change/ https://gunnoracle.com/27090/uncategorized/politics-on-a-global-scale-boycotts-succeed-in-creating-meaningful-change/#respond Sun, 14 Apr 2024 07:12:18 +0000 https://gunnoracle.com/?p=27090 On Dec. 1, 1955, Rosa Parks, sitting in the “colored” section of the public bus, refused to give up her seat to a white passenger. Park’s recalcitrant behavior resulted in her arrest and a $10 fine. This event catalyzed the Montgomery bus boycott, a 13-month mass protest involving roughly 40,000 Black Americans that resulted in the landmark Browder v. Gayle U.S. Supreme Court decision which legally ended racial segregation on public transportation in Alabama. Effectively ending the segregation of buses in Montgomery and across the nation, this protest would become one of the most famous historical examples of a successful boycott.

According to Merriam-Webster, to boycott is to “engage in a concerted refusal to have dealings with (a person, a store, an organization, etc.) usually to express disapproval or to force acceptance of certain conditions.” This form of peaceful protest originates from the Ireland Land War of the 1880s, when Irish tenant farmers protested against English landlord Charles Stewart Parnell’s unfair treatment and high rent prices. Over time, however, it has evolved to become one of the most powerful protest strategies for local, national and global issues. Especially in a digital age in which protests are widely advertised, students need to be more aware of the potential impacts of boycotting and avoid performative or ineffective protests.

Differences between company and consumer values have made boycotts against consumer goods companies prevalent today. This manner of protest is successful because it leverages both economic and social influence against an organization. By inflicting reductions in revenue, boycotts force businesses to reconsider company policies to mitigate further financial damage. However, not all of these boycotts impact a company’s sales revenue, since people may publicly denounce an institution but still purchase its products out of habit. Take the recent boycott efforts with Amazon, for instance. The company has been accused of tax avoidance, poor working conditions and unethical labor practices, and as a result of the “vote with your dollar” philosophy, many people have encouraged boycotting Amazon goods. But due to the near-monopoly Amazon has on the online marketplace and society’s dependence on their unparalleled fast delivery, reliability and variety, its stocks and overall market value faced little impact from this movement.

On the other hand, companies with many competitors are most impacted by boycotts, since customers can buy substitute goods more easily. Take beer brand Bud Light: According to the Associated Press, following the April 2023 controversy regarding transgender influencer Dylan Mulvaney, its year-over-year sales declined 25% to 30% for several months.

Boycotts may also be ineffective if the participants aren’t the company’s target consumer. For example, the People for the Ethical Treatment of Animals’ boycotting fast-food chain KFC has had little to no financial impact to the chain since PETA is not the main consumer demographic that restaurants like KFC cater to.

Nevertheless, boycotts can wield significant damage through negative media attention and reputational damages. In the digital age, social media figures with large platforms have the power to persuade millions of people. According to LendingTree, an online marketplace nonprofit, a poll that was sent out to company consumers in 2022 reported that friends and family influence 47% of boycott decisions, politicians impact 20%, and celebrities or influencers impact 19%. 34% of Generation Z boycotters said celebrities or influencers impacted their decision to participate in a boycott. One example of this media-driven phenomenon is the boycott on Starbucks: In the early stages of the Israel-Hamas war, Starbucks Workers United, unaffiliated with the official Starbucks corporation, posted the message, “Solidarity with Palestine” on their Twitter account. Unwilling to be associated with the workers union’s stance, Starbucks released a clarifying statement and filed a lawsuit against the workers for trademark infringement of the Starbucks logo. Even though Starbucks has stated that it doesn’t directly fund the State of Israel, many people believe this boycott is a way for people to align themselves with Palestine, support an anti-violence ideology and uphold a union’s ability to express themselves politically. According to The Economic Times, Starbucks has seen a loss of $11 billion due to the recent boycotts.

Generally, successful boycotts are those that generate the most social media attention because it spurs larger collective action and allows for activists to garner more support globally. In recent years, for example, collective criticism surrounding the unethical labor practices and negative environmental impacts of Shein — a large fast-fashion clothing company — has led many to stop purchasing from the vendor. Eventually, Shein even released a statement of investigation into unsafe work conditions in some of their supplier facilities. According to data analysis company Statista, Shein saw a sales growth decrease of 2.8% in the second quarter of 2023 compared to a 341.9% increase in the first quarter of 2021. According to media analytics company Commetric, 25% of boycotts receiving national media attention won concessions from the target company.

Even though boycotts through media advocacy can be effective, they should not be relied upon as the sole tool for advocacy. As polarization increases and media becomes more saturated with campaigns, the boycotts’ effect can become diluted and less effective. Instead, this method should be used in moderation and in conjunction with other forms of protest. The Civil Rights Movement of the 1950s and 1960s, for example, went beyond boycotts to economically pressure institutions that practiced segregation: mass demonstrations such as the Selma to Montgomery march, legal struggles like Brown v. Board of Education, grassroot organizations that mobilized local leaders and individuals, media campaigns, and coalition-building with groups from diverse backgrounds to garner support. It is not any of these events in singularity that passed the Civil Rights Act of 1964, but the power and conviction of millions of people who persisted in their beliefs.

Ultimately, a boycott alone, however effective, will not define a social movement or result in substantial, legislative change — even if it achieves considerable media attraction. It is important to remember, especially in a world that increasingly prioritizes speed and efficiency, that affecting true change is difficult: It requires tremendous effort, time, patience and faith in one’s beliefs despite setbacks, and most importantly, a willingness to fight.

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Media Romanticization of Serial Killers https://gunnoracle.com/23529/uncategorized/media-romanticization-of-serial-killers/ https://gunnoracle.com/23529/uncategorized/media-romanticization-of-serial-killers/#respond Fri, 02 Dec 2022 18:05:12 +0000 https://gunnoracle.com/?p=23529 In September, Netflix released the biographical crime series “Monster: The Jeffrey Dahmer Story.” Since then, it has become the second most watched English-language show on the platform, topped only by season 4 of “Stranger Things.” True crime has become the most watched documentary genre in the United States, according to Parrot Analytics, experiencing a 60% increase in consumption from 2020 to 2021. The rise in popularity of true crime, especially in regards to serial killers, is in large part a product of recent media portrayals. True crime entertainment brings up ethical dilemmas and should stop glorifying the murderers they depict, which only trivializes their harmful actions.

According to psychology teacher Warren Collier, human beings are drawn to criminals due to certain morbid curiosity. Extreme characters fascinate people because although they cannot comprehend killers, they feel the need to understand what makes them tick. Perhaps the driving factor is an innate need to survive—humans feel the urge to understand the behaviors of serial killers in order to better avoid them. Another reason for society’s interest in serial killers may be the thrill-seeking aspects of human psychology that seek to obtain adrenaline caused by fear, but from a healthy distance.

Collier also explains the idea of transference in relation to the serial killer craze, in which strong feelings on a certain topic can be redirected onto a person. In literature and cinema, the trope of heroes versus villains is ever present. In our actual lives, however, serial killers break real laws that cause real harm. As a result, they seem to be storybook villains brought to life, eliciting a greater emotional reaction. And according to Collier, people are drawn to criminals because they give people a good target to measure irregularity. Because humans have always appreciated stories of good and evil and prefer to have clear-cut, black-and-white boundaries, it’s easy for them to see serial killers as the most depraved and wicked that a human can get.

True crime adaptations, which play on this interest, take advantage of traumatized victims and their families. While those affected may choose not to watch, it’s still difficult to ignore the subjection of their trauma to commentary and evaluation online. Family members of Dahmer’s victims have questioned Netflix’s motives in creating the show without seeking explicit permission, especially in the portrayal of Dahmer’s trial. Eric Perry, whose cousin Errol Lindsey was one of the victims characterized in the series, commented on Twitter that Netflix failed to inform the families of victims when producing the show. “It’s retraumatizing over and over again, and for what?” Perry tweeted. “How many movies/shows/documentaries do we need?”

Exploiting these tragic events simply for the purpose of making a profit is bad enough as it is, but that’s not where the damage ends. Although “Monster”’s director Ryan Murphy may not have intended for viewers of the show to sympathize with Dahmer, the usage of flashbacks highlighting his traumatic past leads viewers to feel a sense of empathy.
True crime often inspires TV shows such as “Monster” or “Extremely Wicked, Shockingly Evil and Vile,” another one of Netflix’s original films, which center on prolific serial killers who have committed heinous acts such as murder, kidnapping or rape. When viewers feel empathy, they fail to realize that it is not solely directed toward the fictionalized characters shown on screen, but also the real-life killers they represent.

With the topic of serial killers, it’s difficult to avoid its relationship with mental illness. For example, according to forensic psychologist Dr. Stephen M. Raffle, Dahmer was diagnosed with borderline personality disorder and suffered from brief psychotic episodes. The portrayal of serial killers’ mental disorders in media feeds into the stigma about people who struggle with their mental health. Given the misconceptions and beliefs that have become associated with mental illness, these popular shows or movies feel like a step backward for those who want to fight the stigma around the subject.

A recurring issue with the depiction of serial killers within the true crime genre is the casting of conventionally attractive actors or those with large fanbases. The castings of Evan Peters or Ross Lynch as Dahmer and Zac Efron as Ted Bundy make the actions of their characters more palatable on screen and give them a sense of appeal. These castings bias viewers toward idealizing the portrayed killers. Indeed, serial killers are known for their charisma, a weapon of psychological manipulation used to lure victims in. But in films, these actors portray it as almost romantic, a trait that only adds to the charm of the leading figure on screen.

Choosing well-established actors for film projects is a logical train of thought, as enough star power draws a willing audience. Sure, for actors who have grown accustomed to a career of playing the protagonist or the heartthrob, perhaps a role playing a killer is an exciting challenge. But casting these actors perpetuates the idea that serial killers deserve to be glorified on-screen, and puts more of an emphasis on their sex appeal over the threat they pose to society.

On social media platforms Twitter and TikTok, users have further expressed that the new Netflix series has led them to feel pity for Dahmer and believe that those around him failed to prevent his development as a psychopath. The appeal of serial killers has even risen to the point where they’ve gained a dedicated fanbase of accounts devoted to obsessing over a person— often a celebrity, but in this case, a psychopath. On TikTok, individuals have taken to creating romantic edits of serial killers set to trending music. Some edits even try to depict a relationship between serial killers and their victims in a positive light. Comments under these videos have proclaimed to root for their happy ending. Social media has only exacerbated the impacts of true crime, allowing people to form unhealthy attachments to individuals who are clearly dangerous. These idealizations enable behavior that minimizes victims as just an aspect of a tragic story, rather than actual people.

This romanticization of and obsession with serial killers isn’t anything new. Criminals behind bars have historically attracted admirers and received fan mail, and some more notorious killers such as Richard Ramirez or the Menendez brothers have even married some of these fans, despite serving life sentences. However, this behavior is more dangerous now due to the widespread nature of modern media.

Besides the moral issues inherent in the true crime genre, people must also consider the negative repercussions that they face while consuming this content. With more information about serial killer available on the internet, there’s no way to filter out the disturbing imagery or graphic details for younger users. Being exposed to a high volume of such horrendous content is also often taxing, leading to a decline in emotional health. Consumers of true crime should be careful to view it in measured doses and take breaks from content that may be too heavy.

However, the effects of true crime have had some positive results. It has led to the renewed interest in fields such as forensic psychology, and media coverage has inspired some to turn their fascination from their own TVs to actual cases in the field. Watching true crime entertainment or listening to podcasts on the topic can sometimes bring catharsis, allowing people to confront their fears from the safety of their own homes.

Human psychology makes people naturally inclined to find serial killers fascinating. True crime media often exploit this curiosity for profit, causing detrimental consequences on real-life victims and their families. While interest in notorious murderers and their crimes may not be entirely unwarranted, it is imperative for media and viewers alike to refrain from romanticizing or sensationalizing serial killers. Otherwise, they run the risk of trivializing killers’ actions and glorifying the harm they inflicted upon innocent people.

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EDITORIAL: Independence of student press must be upheld, supported by community https://gunnoracle.com/16945/forum/editorial-independence-of-student-press-must-be-upheld-supported-by-community/ https://gunnoracle.com/16945/forum/editorial-independence-of-student-press-must-be-upheld-supported-by-community/#respond Fri, 09 Nov 2018 18:14:30 +0000 https://gunnoracle.com/?p=16945 To say that the past year has been difficult for the press would be an understatement. In May of this year, Montana House Representative Greg Gianforte made headlines by body-slamming a reporter for “The Guardian” during a campaign rally. On Oct. 2, “Washington Post” reporter and United States resident Jamal Khashoggi was murdered and dismembered by Saudi Arabian agents. Even as recently as Oct. 29, President Donald Trump called the press “the True Enemy of the People [sic]” in a tweet. However, the degradation of the press is not limited to the marbled columns of the White House and the editorial columns of the “The New York Times.” It’s happening right in front of our eyes. Over the past couple of years, School Board candidates, school administrators and even advisers of Palo Alto Unified School District (PAUSD) school newspapers have shown willingness to stifle the journalistic integrity of school publications for the sake of saving face and pursuing personal motives. While journalists need to be held account- able for presenting accurate information to their audience, school officials should work to support the institution of the independent student press.

School districts should recognize the value of an uncensored student press, as it is recognized as a part of state law. In 1988, the Supreme Court decided to significantly decrease the First Amendment rights of student journalists in the Hazelwood School District v. Kuhlmeier case. However, a group of states, including California, passed a law expanding students’ freedom of expression instead, refusing to recognize the Hazelwood laws. California Education Code 48907 declares that students are entitled to the same press freedoms as professional organizations. The code specifically states that “pupils of the
public schools including charter schools, shall have the right to exercise freedom of speech and of the press including, but not limited to… the right of ex- pression in official publications… except that expression shall be prohibited which is obscene, libelous, or slanderous.” Anti-Hazelwood laws in California grant student journalists many press freedoms unavailable to other student journalists across the country. As a result, PAUSD student publications have more opportunities to voice the opinions of the student body. Such opportunities should be celebrated and defended, not suppressed, by administrators.

Despite the fact that publications in PAUSD are protected by California laws, they still do not receive the respect and support from school officials and community members that they deserve. Actions like harassing student journalists, at- tempting to coerce students into publishing certain opinions and refusing to support school press freedoms do not align with the spirit of the fourth estate, also known as the media. For example, “Palo Alto Online” recently published a series of articles describing the harassment of a student on “The Campanile,” Palo Alto High School’s student newspaper, from a School Board candidate. By refusing to talk to or cooper- ate with publications, PAUSD School Board candidates and officials show that they are not interested in the opinions of their constituents. Taking student-run publications seriously is central to increasing students’ participation in important community decisions and winning the support and trust of students.

School officials should work to mend relations with reporters and publications in order to take full advantages of rights granted by the anti-Hazelwood laws. To many communities, school publications are a reliable source of school-related news. Therefore, school officials need to do more than just pay lip service to the press. It is especially important that administrative staff treat school publications like The Oracle with the same regard they would give a professional news organization. This uniformity is crucial, as it not only provides student journalists with valuable learn- ing experiences in journalistic ethics, but also helps them ensure that the most accurate information is being presented to their readers. Student journalists also have the responsibility of fostering cordial relationships with school officials. It is important for publications to have a thorough understanding of those involved in the PAUSD community—even if opinions may differ—due to a shared goal of improving the district. While the press is entitled to
print their opinions, they need to be held accountable for fact-checking their articles before printing and take ownership for any mistakes in their content. Additionally, printing the opinion of the staff should not include swaying the members of the paper to match the personal opinion of the teacher adviser. Without argument, advisers are a vital part of the publication process—they teach the journalistic style of writing, help edit articles, give guidelines for appropriate content and coordinate production. However, as a student-run publication, the opinions must come directly from the students, not the adviser. Ultimately, the content that is published is intended to be read primarily by students, and therefore, should be relatable for that demographic.

In today’s increasingly polarized political and social climate, the journalistic integrity of media organizations everywhere is being questioned. Authority figures and candidates today who seem more interested in avoiding controversy than serving the public continually attack and degrade the free press. While we recognize that student reporting is not always perfect, it still acts as an important conduit for student voice; now, more than ever, it is vital that school officials recognize that the First Amendment’s jurisdiction is not limited to those involved in professional publications. As the main student-run publication at Gunn, The Oracle staff stands with students and student journalists close to home
and across the country.

—Unsigned editorials represent the majority opinion of the staff (assenting: 33; dissenting: 0; abstaining: 0)

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Hypebeasts should be respected, not shunned https://gunnoracle.com/14919/uncategorized/hypebeasts-should-be-respected-not-shunned/ https://gunnoracle.com/14919/uncategorized/hypebeasts-should-be-respected-not-shunned/#respond Thu, 09 Nov 2017 16:50:24 +0000 http://gunnoracle.com/?p=14919

Written by Caroline Ro

To each their own, we say, when it comes to art. Self-expression has grown to be more respected by today’s youth, and is generally given its proper space and freedom in whatever way it decides to manifest itself.

With the rise of hypebeast culture, however, this same respect and acceptance is not as evident. The definition of hypebeast culture really depends on who you ask—for some, it just means someone who’s into streetwear and urban fashion. But more often than not, being a hypebeast carries a negative connotation. Hypebeasts have come to be portrayed as unoriginal slaves to “hyped up” trends, hence the name. They’re stereotyped as people who like to stick Supreme logos on as many surfaces of their body as humanly possible, often to impress others or in hopes of bettering their social status. To put it shortly, they get a bad rap.

But if fashion is art and art is objective, why do we not apply the same principle of respect when regarding hypebeast fashion? What makes hypebeast culture different? What makes it the thing that everyone loves to hate?

A lot of the stigma probably has to do with brands. Brand names and logos,
most notably Supreme, Stu?ssy, A Bathing Ape and Anti Social Social Club, are
undeniably integral parts of hypebeast culture. In fact, many staple pieces from these brands display their logos in large, bold, remarkably readable print. It makes sense that this would rub some people the wrong way; a lot of these brands aren’t cheap, and these large logos often make the wearer seem pretentious, like they’re flaunting an expensive price tag.

These brands, however, represent more than just a hefty pricetag. “Each brand has its own connotations,” senior Matthew Skowronski said. “If you buy a certain brand, you’re buying into that brand’s mentality and what they believe in. You’re essentially saying, ‘Yes, I support that.’”

During the 2016 presidential election, for instance, streetwear brands like Brain Dead, Supreme and Bianca Chandon actively voiced their opposition to Donald Trump on social media. A Supreme x Molodkin “Donald Trump” t-shirt surfaced on eBay, priced at nearly $23,000 and depicting a blurred and bright red image of the president-elect at the time. Other well-established brands have even designed clothing pieces that make political statements on a variety of topics. Russian designer and brand Gosha Rubchinskiy, for example, designed a T-shirt with the Chinese and Russian flag printed next to each other, commenting on Sino-Russian relations. Supreme also released a T-shirt denouncing sexism and racism, while Off-White’s 2015 fall/winter collection was said to have been inspired by the Charlie Hebdo attacks in Paris earlier that year. Perhaps what many regard as an obsession with brands may have more to do with an alignment and support of certain political and social values.

 

And then there’s the individuality aspect of it. For most, hypebeast culture is strongly linked to unoriginality and fad following. “It has negative connotations, because anytime we bring up hypebeast you’re thinking of the twelve year olds or the [people] with the NMDs [shoes] and everything,” senior James Stewart said.
For the most part, hypebeast brand names aren’t as important to wearers as they seem.

“For me personally, it’s not as important what brand it is, more that I see that it’s quality and something that is unique and something that I can see an out t with,” sophomore Katherine Skowronski said. “It’s less important to me that you see a label on the shirt.”

With the prevalence of hypebeast and street fashion of rap culture, many hypebeasts are also accused of copying rapper style icons, rather than expressing themselves and being unique in their fashion. It’s important to note, though, that the tie between rap and hypebeast culture is only one example of the inherent and inseparable relationship between the media, pop culture and fashion. Fashion, by definition, is based on trends and style aspects, which are in turn shaped by society. If we are meant to champion fashion as a means of self-expression and creativity, who are we to say that hypebeast culture doesn’t fall into those categories? Hypebeast fashion is just as capable of reflecting one’s character and identity as the most avant-garde, abstract branches of fashion and art are.

Despite how this truth is invalidated by onlookers, proclaimed hypebeasts still strive for individuality in their style. This notion that hypebeasts lack creativity is acknowledged within its community, and even pushes individuals to adopt a clearer personality and uniqueness in their clothing. “First, [I became interested in hypebeast culture] because it was really different… But now… everybody’s doing the same thing, [and] it’s less special,” Matthew Skowronski said. “I try to search for things that are unique and different and haven’t been done yet.”

Ultimately, how someone decides to present themselves to the world through fashion is a form of self-expression, and in order for people to feel confident and comfortable with who they are, they should be given the freedom that they are entitled to. “I think a part of [fashion] is how comfortable I feel looking at myself and being around other people,” senior Nathan Siu said. “I’m not trying to impress other people, but if I feel more comfortable with the way I look, then I’ll feel more comfortable in general.”

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Whitewashing in Hollywood Harms Youth https://gunnoracle.com/8316/uncategorized/whitewashing-in-hollywood-harms-youth/ https://gunnoracle.com/8316/uncategorized/whitewashing-in-hollywood-harms-youth/#respond Fri, 09 Sep 2016 15:58:02 +0000 http://gunnoracle.com/?p=8316
By Jack Mallery

In 2015, the drama and romance film “Aloha” sparked outrage for its casting choices, raising questions about equality for acting jobs in Hollywood. Emma Stone, a white actress, was cast as the Asian-Hawaiian character Allison Ng. Originally from the Hawaiian island of Oahu, Ng is a fighter pilot from Hawaiian, Swedish and Asian backgrounds. Many critics felt that casting Emma Stone was wrong, and that an actress with similar heritage to the character should have been chosen. This phenomenon, known as whitewashing, is when a white actor is cast to play a character of a different ethnicity. It is an issue that has recently been brought to the eyes of the world. However, this is nothing new to the world of cinema. In 1956, “The Conqueror” was released. Based on the 12th century mongol leader Genghis Khan, many would assume this infamous leader would be played by an actor of Asian descent. Instead, John Wayne, a Caucasian actor born in Iowa, was cast to play the part. Whitewashing is an important issue that is often overlooked in our society today. It has only been recognized in light of recent white-dominated Academy Awards. is phenomenon has a major elect on many children who grow up in the shadow of a white cinema, deters actors of non-caucasian descent from pursuing a career in acting and sets up unrealistic expectations of how stars should look according to Hollywood’s casting choices.

At Gunn, the Theatre department has a wide variety of roles played by different ethnicities. However, some students still feel pressure to stop acting or taking roles in drama due to the issue of whitewashing. According to sophomore Zoe McKeown, whitewashing discouraged her from a young age and hampered her drive to pursue her acting dreams because of the people she saw in the media. Like many other half-Asians, McKeown’s culture is underrepresented in the entertainment industry. Over half of hundreds of film content studied by USC’s Annenberg School for Communication and Journalism did not feature any speaking roles from Asian actors. is negatively affects what non-Caucasian actors feel that they are
capable of doing in entertainment. It is caused by witnessing actors of cultures other than theirs’ play roles meant
for them.

In the past year, there were no minority actors nominated for an Academy Award. As the Academy Awards are given to the best actors and actresses in the year’s film, for not even one minority to be nominated demonstrates how one-sided Hollywood has become. Since whitewashing discourages children from acting from the moment they turn on a television, it is a problem that should be discussed by actors and producers around the globe.

Drawing young actors to Hollywood and developing their talent is essential to the continued success of movie and TV business because it keeps the studios alive with fresh and young talent. Unfortunately, due to an overwhelming majority of young white actors, many non-white actors can be deterred from pursuing a career in media. According to Annenberg, only 28.3 percent of characters in TV are from underrepresented racial and ethnic groups. When junior Kiana Fong auditioned for the Disney Show “Wizards of Waverly Place” in sixth grade, she realized how different she looked from most actors her age. During her one-day audition, Fong was the only girl who was not white and blond auditioning for the part, an observance that caused her to doubt her chances and not perform her best. Because of cases like this, Asian-Americans like McKeown and Fong feel discouraged from acting at a young age. Out of 407 movie and TV directors studied by Annenberg, 87 percent of them are white, which is bound to influence their casting choices. However, this can be an opportunity to make things right. People like McKeown want to stand up to the system set in place, and hope to have an influence on young actors and actresses in the future. McKeown would be right: a system has been set in place. This system discourages and disheartens non-white actors from going into acting. Whitewashing has a affected the acting careers of many young people of a non-white heritage trying to make a name for themselves in the film industry, and it will continue to be a problem until something is done about it.

In Hollywood, there are thousands of actors and actresses, all of whom are hoping to land a job in a new show or movie. Sometimes it might seem that whitewashing isn’t as big a problem as it is portrayed to be by the media in recent months. Others argue that sometimes the media goes after whitewashing because they are pandering to people who feel sensitive and offended. This is not the case. According to Annenberg, 52 percent of the time, Asian-Americans like McKeown and Fong do not have even one speaking or named character in movies and television. Asian roles consistently do not appear in shows and movies, giving Asian actors no chance to have a role from the start. The same study revealed that 22 percent of all movies and television shows did not depict one African-American speaking character. This will change one day, but it will be a long and difficult path until equality is reached.
Thanks to recent media attention, whitewashing has had a new light cast upon it. It discourages people from pursuing careers and damages their chances of landing jobs in acting. This has been around since the dawn of cinema, and many Gunn students have had their own lives affected or influenced by this modern-day problem. Denied by many as a relevant issue, directors and actors need to realize that whitewashing is a very present problem, and will continue to discourage young non-white actors from pursuing their dreams until it is recognized as an unjust system and steps are made to combat it.

 

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“Finstas” encourage free, genuine expression https://gunnoracle.com/8284/uncategorized/finstas-encourage-free-genuine-expression/ https://gunnoracle.com/8284/uncategorized/finstas-encourage-free-genuine-expression/#respond Fri, 09 Sep 2016 10:00:00 +0000 http://gunnoracle.com/?p=8284

I remember downloading Instagram for the first time in middle school at the insistence of my friends and feeling only a vague sense of disappointment. At that time, Instagram was really nothing more than a cute photo-editing app, with its grunge, stark filters and iconic hashtags. inking the app’s vogue was just a passing craze, I forgot all about it for a while.

Five years later, Instagram’s popularity hasn’t petered out—it’s erupted. Encapsulating everything from multimillion-follower meme accounts to personal user accounts, Instagram has become one of the necessities of modern-day media. And so, it’s not surprising when one person might allow up to hundreds or even thousands of people into insights of their personal lives as captured and displayed in a feed. When you try to visually summarize your entire life into squares on a phone screen, you can’t help but edit, or “cultivate,” as some might call the tendency. You’re never going to see anything but the bright side of the moon when you stalk that one new girl’s profile.

With the rise of “finstas,” however, this sense of false cultivation is beginning to change. An abbreviated amalgam of the words “fake” and “Instagram,” finstas are any- thing but fake. In fact, they are ironically far more genuine than the alleged “rinstas,” or “real Instagrams.” Urban Dictionary defines finstas as accounts people make because “they o en care too much about what they post on their real Instagram that they feel the need to have a second, less public one.” True to the definition, finstas in practice are Instagram accounts set to “Private” so that only select followers can see the pictures. For most, access to finstas is shared with only a small selection of one’s friends; follower counts often only hit the dozens.

Finstas are the liberators or people who feel restricted by the need to keep their rinsta feeds pristine and glamorous. A finsta account lets people abandon the traditional edits and filters. Accepting only exclusive followers the user is comfortable with allows people to share the raw, unedited snapshots of their lives. Whether that snapshot be an ugly triple-chinned selfie or a screenshot of a hilarious text conversation, the existence of finstas allows people to be vulnerable, even if only to select number of people. Suddenly, you can become a real and complete person. Your life is not all paradisiacal poolsides and neon raves and sunlit afternoons spent in meadows. Here is an outlet where you are free to complain about math homework, laugh at cringeworthy flirting attempts, rant unrestricted about your sorrows and what’s more, to have other people see and laugh and lament along with you.

Some might see finstas as redundant and unnecessary. True, it’s ironic that most finsta owners also have their main account set to “private”—where is the need, after all, for two private accounts? As for unnecessary, the jury is still out on the subject. If a day ever comes when people are capable of relaxing their grip on the perfection of a beautiful feed, perhaps then finstas will have lost their need. But for now, finstas allow people to show their followers a glimpse of their real lives rather than the filter- coated rinsta version.

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[VIDEO] Journalism Day Highlights https://gunnoracle.com/5317/news/video-journalism-day-highlights/ https://gunnoracle.com/5317/news/video-journalism-day-highlights/#comments Sun, 27 Sep 2015 02:36:58 +0000 http://gunnoracle.com/?p=5317 Written and created by Shawna Chen

The Oracle staff attended the NorCal Media Conference, held by Journalism Education Association of Northern California, on Saturday.

Read our news brief on this Journalism Day for more information.

[youtube https://www.youtube.com/watch?v=SbzND4wat-A]

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